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Philadelphia artist Kim Alsbrooks recreates historial oil portraits on flattened beers cans and fast food containers. Titled “My White Trash Family” the series was conceived while Alsbrook was living in the south and found herself grappling with prevailing ideas of class. She shares via a statement about the project:

The White Trash Series was developed while living in the South out of frustration with some of the prevailing ideologies, in particular, class distinction. This ideology seems to be based on a combination of myth, biased history and a bizarre sentimentality about old wars and social structures. With the juxtaposition of the portraits from museums, once painted on ivory, now on flattened trash like beer cans and fast food containers, the artist sets out to even the playing field, challenging the perception of the social elite in today’s society.

Filmmaker Jesse Brass recently caught up with Alsbrook to interview her for his Making Art series. Watch it above.

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Slinkachu | on Tumblr (UK) - Little People Project

For an artist whose work frequently represents the themes of anonymity, alienation and loneliness inspired by city-living, it is perhaps appropriate that Slinkachu biographical details remain vague. Born in Devon, Slinkachu currently lives and works in London. In 2006, Slinkachu embarked on the first of his street art installation campaigns: The Little People Project. His miniature figures are left to fend for themselves in the bustling city, where they are then photographed and left to the abandon of their urban environment. These figures embody the estrangement spurred by the over-whelming nature of the modern metropolis, and incite a renewed perspective of the everyday urban experience to those who find them. This sense of isolation and melancholy, however, is accompanied by sense of irony and humour that makes Slinkachu’s commentary all the more poignant. Slinkachu has received international attention for his Little People Project and has participated in many group exhibitions both locally and internationally. (src. Andipa Gallery)

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Photographer Marco Ugolini created the series ‘Per Color’ in a local supermarket in Brazil. He aimed to reveal the supermarket as a space of manipulation where customers get outwitted by colorful packaging and catchy slogans, buying products to which we’ve lost every natural relation to.

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This delicate series of sculpted plants is part of a project by artist Camila Carlow titled Eye Heart Spleen. The photographic project is comprised of 13 images representing human organs constructed from plants and flowers. From Carlow’s statement about the project:

The most fascinating and intricate of biological structures, yet we rarely pay heed to the organs inside our body. Regardless of whether we fill ourselves with toxins or nourishing food, whether we exercise or not—our organs sustain us, working away effortlessly and unnoticed.

In a similar way, plants flourishing in the urban environment are a testament to nature’s indifference to our goings on. They grow out of the sides of buildings, in brick walls and between the cracks in concrete, despite of the traffic and pollution.

Camila Carlow is a Guatemalan-born artist based in Bristol, England, and she works in a range of mediums from photography and painting as well as cinematography. Several of the Eye Heart Spleen photos are available as prints in her shop. (via Sweet Station)

A Tribute to Discomfort: Cory Richards

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We’ve been following the fine art illustrations of Latvia-based Alex Konahin for quite some time. He first caught our attention with his incredibly detailed ink illustrations of patterns that seemed to pop off the page. We were in complete disbelief that these weren’t three-dimensional. Then, in his surreal Anatomy series, he left us spell-binded as we saw the heart, lungs and stomach like we’d never seen drawn before. Who know our internal organs could look so artistic and beautiful?

Konahin’s latest work centers around small winged insects like the butterfly, bee and dragonfly. Called Little Wings, the series was inspired by a summer trip to the Netherlands where the artist was able to live away from the city and immerse himself in the countryside. Using just simple black pens, fineliners and India ink, the artist meticulously drew these winged creatures, in his usual mind-blowing way, with incredible precision and detail. Just stunning!

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Los Angeles-based artist Tristan Eaton combines portraiture and popular culture to create eye-catching murals. His lively and large-scale spraypainted works often juxtapose part of an illustrated, monochromatic face with a colorful mashup of imagery. We see stylized cartoon characters, logos, typography, and intricate patterns, and sometimes he’ll layer these elements on top of each other. All of these parts form a larger cohesive shape that impressively spans the length and height of buildings. This isn’t the first time we’ve been dazzled by Eaton’s work - we first fell in love with his mural of Audrey Hepburn that graces in New York City’s Little Italy neighborhood

Eaton started pursuing street art when he was just a teenager and painted everything from walls to billboards wherever he lived, which includes places like London, Detroit, and Brooklyn. He grew up on comic books, graffiti, and skateboard culture, and his upbringing is evident in these murals. The imaginative works showcase an interest in many different things and create bold compositions that immediately capture our attention.