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In this series Franck Bohbot embraces the absence of typical daytime noise, deliveries, lively streets, and tourist visits on the streets of New York City’s Chinatown.
Half-way between poetry and science fiction-like movie sets, through this nocturnal series with New York City as the sole backdrop, he invites us to discover an empty, motionless neighborhood devoid of its inhabitants. With his camera by his side, some images were shot instinctively while others are more contemplative. The result is an enigmatic voyage that creates a pictorial and fantasy-like universe in the thick of night.

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Portuguese designer Susana Soares has developed a device for detecting cancer and other serious diseases using trained bees. The bees are placed in a glass chamber into which the patient exhales; the bees fly into a smaller secondary chamber if they detect cancer. 

Scientists have found that honey bees - Apis mellifera - have an extraordinary sense of smell that is more acute than that of a sniffer dog and can detect airborne molecules in the parts-per-trillion range. 

Bees can be trained to detect specific chemical odours, including the biomarkers associated with diseases such as tuberculosis, lung, skin and pancreatic cancer.

“The bees can be trained within 10 minutes,” explains Soares. “Training simply consists of exposing the bees to a specific odour and then feeding them with a solution of water and sugar, therefore they associate that odour with a food reward.”

Once trained, the bees will remember the odour for their entire lives, provided they are always rewarded with sugar. Bees live for six weeks on average.

source

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Matt Lipps

Library

The series takes its starting point from a 17-volume book set, Library of Photography, published in 1970-1972 by Time-Life Books. Matt Lipps has selected, cut out and assembled almost 500 figures, unfolding a visual roadmap of 40 years of American picture taking. Using collage strategies, sculptural tropes, theater staging and complex still-life, Library pays tribute to and requiem for the analog medium while posing new questions about the future of digital media and imaging.

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Eric Yahnker is one of our absolute favourite artists working today. His humorous, meticulously rendered graphic puns wittily examine contemporary pop culture and politics, and his work is stunningly executed as well as being astute and thought-provoking. We’ve written about his exhilarating art before, and recently we reviewed his very excellent first London exhibitionSticks & Drones at Paradise Row.

Here is a handful of Eric’s charcoal renderings of readers, a trope that he’s returned to a few times over the years, and which are superb examples of Eric’s appealingly irreverent work. We particularly like the one of Dorothy reading Sartre, and it’s easy to see why we keep returning to Eric over and over again.

All of today’s posts are focusing on the speakers at Here 2014, picking out a particular project to enjoy once again. You can follow the action live over on our@HereLondon Twitter feed.

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Spanish photographer Txema Salvans captures a unique view of prostitution happening in urban and rural roadside locations along Spain’s Meditarranean coast in The Waiting Game. Collected over a period of six years, these images are remarkably intriguing. Blending into the surrounding scenery as if part of the landscape, these women are not the central focus of Txema’s frame, rather they sit waiting just on the periphery. The women also seem to be in the middle of nowhere, and in fact, they are. They are on the side of highways, secondary highways, and small byways that run from town to town. And while these roads are considered more discrete and low-key, they are still well traveled—many take them to avoid having to pay the toll for the main highways, and trucks carrying goods and fruits take these roads from Andalucia to France.

Knowing that these women would likely not want their photos taken for obvious reasons, Salvans cleverly disguised himself as a surveyor, accompanied by an assistant carrying a surveyor’s pole. He managed to get some fascinating shots, ones that present these women in a much larger context. We see quiet moments of waiting, unaware of what these women may have just experienced or of what’s to come.