Elegant chiaroscuro hands are depicted in Aitor Frías & Cecilia Jiménez’s photograph, “The Clay and the Potter”—a Baroque study that was published in Vogue Italia. Other series like “Dreamers” and “The Waiting” hint their recurring inspiration in 17th-century art, the latter playing with light and shadows in a manner that resembles the work of 20th-century master Lucien Clergue. Everything Frías and Jiménez’s have captured through the lens is refined, romantic, and poetic.