Lobulo has worked in Barcelona for many years and is currently based in London. One of his recent projects was creating paper sculptures of fruits and vegetables for Brit grocery chain, Tesco, and erotic toys for another advertising campaign for OFFF Barcelona 2014.
Using large thin sheets of Chinese rice paper, artist Bovey Lee (previously) meticulously cuts intricate scenes of plants, roads, people, and architecture with an impressive array of cutting implements. The near weightless artworks are mounted against silk before being hung on gallery walls.
Lee most recently had work on view with Grotto Fine Art as part of Art Basel in Hong Kong, as well as an exhibition with Gavlak Gallery for the Armory Show earlier this year. You can see many more pieces from the last few years in her online cut paper gallery. (via This Isn’t Happiness)
Paris-based designer and artist Maud Vantours uses layer upon layer of cut paper to create hypnotizing patterns and textures that translate into set designs, fashion accessories, and editorial treatments. You can see more of her work at Figure and on Behance.
Laura Plageman is an artist and educator who lives and works in Oakland, CA. Her images explore the relationships between the process of image making, photographic truth and distortion, and the representation of landscape. She is interested in making pictures that examine the natural world as a scene of mystery, beauty, and constant change - transformed both by human presence and by its own design:
“In th series Response, I am responding to photographs both as representations and tangible objects. Through physically altering enlarged prints and then re-photographing the results, I create works that oscillate between image and object, photography and sculpture, landscape and still life. While they may appear illusory, the resulting pictures are documents of actual events and are thus as authentic as the original representational images contained within.
My process unfolds through observation and experimentation – I let the image and its materiality dictate its direction. Playing with paper and with light in unplanned and organic ways, I look for new ways to perceive the space, form, and context of my subjects. In some works, large pieces of the original image are torn out while in others, smaller parts are more subtly altered. I use a large format view camera throughout my process so I can control perspective and record as much detail as possible. Whether focused on a ripped paper edge or a nesting bird, I hope to reach a place where picture elements interact and merge in unpredictable and expressive ways.”