as a union of organic mediums and mechanical systems, american artist roxy paine has meticulously hand carved ‘checkpoint’: a room-sized diorama, which uncannily represents — in complex and painstainking detail — a generic airport security stop. presented at marianne boesky gallery, new york, the large-scale installation comprises soft-hued maple, aluminum and fluorescent light bulbs, with each material translating a portion of the transportation hub’s architectural facets into static and solid matter.
Product designer Marcel Dunger conceived of this fascinating and elegent way of creating small rings, pendants, and earrings by “repairing” broken pieces of maple wood with colored bio-resins. The resin is first poured onto a larger piece of broken wood and after the hardening process the piece is then machined into pieces of jewelry.
We’ve seen so many different projects using resin lately from sculptures of aquatic life to hair ornaments, but what’s probably more interesting, as pointed out by The Fox is Black’s Bobby Solomon, is the trend of visibly incorporating repairs into new or improved objects. We’ve seen it with Japanese Kintsugi pieces, furniture created by fusing tree trunks with cast aluminum, and even another wood/resin combo resulting in glowing kitchen shelves. As far as turning waste products into functional objects, or extending the life of something broken, it’s a visually striking idea that will hopefully be incorporated by more artists and designers. You can see more of Dunger’s work in his online portfolio. (via The Fox is Black, Behance)
UPDATE: Jewelry designer Britta Boeckmann creates a similar form of jewelry and has quite a few pieces available in her shop.
these benches give me boners. Product designer Hilla Shamia has developed a novel way to meld poured aluminum with irregularly shaped wood pieces to create sleek tables and benches. The process preserves that natural form of the tree trunk while still allowing the molten aluminum to flow into the crevices of the wood, slightly burning the area where the two materials meet. These remind me somewhat of Greg Klassen’s glass tables from last month here on Colossal. You can see more of Shamia’s work on her website. (via The Fox is Black)
